{"title":"Digital Cine Cameras","description":"","products":[{"product_id":"blackmagic-pyxis-6k-pl-1","title":"Blackmagic PYXIS 6K PL","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable ARRI PL lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232299.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232303.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e    \u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232301.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFlexible Film Formats\u003c\/p\u003e    \u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e    \u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e    \u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232296.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e    \u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232300.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCustomize Your Gear\u003c\/p\u003e    \u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232295.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e   \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232297.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003ePost-Production File Formats\u003c\/p\u003e    \u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232291.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMultiple Recording Options\u003c\/p\u003e    \u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232290.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e    \u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232292.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eExpansive Connectivity\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e   \u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e   \u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e   \u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eIn the Box\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (ARRI PL)\u003c\/li\u003e   \u003cli\u003ePYXIS Standard Mounting Plate\u003c\/li\u003e   \u003cli\u003ePYXIS SSD Mounting Plate\u003c\/li\u003e   \u003cli\u003ePower Supply with International Adapters (60W)\u003c\/li\u003e   \u003cli\u003eDaVinci Resolve Studio Activation Key\u003c\/li\u003e   \u003cli\u003eLimited 1-Year Manufacturer Warranty\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eNot in the Box\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003eEssential \u003ca href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1823586-REG\/blackmagic_design_blpyxis6kpl_pyxis_6k_cinema_box.html\/accessories\/47931\" title=\"Recording media is not included; a memory card is required to record your footage.\"\u003eRecording Media (Not Included)\u003c\/a\u003e\n\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52777850896665,"sku":"BLA-CINECAMCPYXH60LFPL","price":31687.1,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/218f9d40bef80bd065923499127df807_be874505-103a-42f7-a8bf-59cfe458bc24.png?v=1783341918"},{"product_id":"blackmagic-pyxis-6k-ef-1","title":"Blackmagic PYXIS 6K EF","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232280.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232284.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e    \u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232282.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFlexible Film Formats\u003c\/p\u003e    \u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e    \u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e    \u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232277.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e    \u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232281.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCustomize Your Gear\u003c\/p\u003e    \u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232276.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e   \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232278.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003ePost-Production File Formats\u003c\/p\u003e    \u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232272.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMultiple Recording Options\u003c\/p\u003e    \u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232271.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e    \u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232273.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eExpansive Connectivity\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e   \u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e   \u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e   \u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52777850962201,"sku":"BLA-CINECAMCPYXD60LFEF","price":29783.62,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/d284d8fb7ab8cac3ef37d670df87aeba_2dcbbf92-a542-49c8-a878-fc67890f9896.png?v=1783341919"},{"product_id":"sony-fx30-digital-cinema-camera-with-xlr-handle-unit-1","title":"Sony FX30 Digital Cinema Camera with XLR Handle Unit","description":"\u003cp\u003eLeveraging the power of a newly-developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCinematic Expression\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eHigh-sensitivity recording at up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e   \u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e   \u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e   \u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e   \u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.\u003c\/li\u003e   \u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eProfessional Picture Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e   \u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e   \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e   \u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eOperation for All Levels\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cul\u003e   \u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e   \u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eIntuitive Operation and Controls\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Sony FX30 Touch AF\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1850017.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFast Hybrid AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points (759 points in Photo mode) spread across 90% of the image sensor.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e   \u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e   \u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003e5-Axis In-Body Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eComprehensive Feature Set\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e   \u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e   \u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eCatalyst Browse and Prepare Integration\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eMetadata recorded includes:\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e   \u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e   \u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e   \u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e   \u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eErgonomic Form for Solo Operation\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Sony FX30 In Use with XLR Handle Unit\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1850018.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003cbr\u003e  \u003cbr\u003e  The body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e   \u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e   \u003cli\u003eFully customizable button layout.\u003c\/li\u003e   \u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e   \u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e   \u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e   \u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eA Plethora of Connectivity Options\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e   \u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e   \u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e   \u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e   \u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e   \u003cli\u003eMulti Interface Shoe supports advanced accessories, including the included XLR Handle Unit.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg alt=\"Sony FX30 Memory Card Slots\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1850016.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eMedia Options\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Audio Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThis version comes with a detachable XLR Handle Unit that offers two XLR\/TRS combo inputs for using professional audio equipment. The handle features a microphone mount, physical audio controls, and three 1\/4\"-20 threads for attaching accessories. It also securely mounts to the FX30 via the Multi Interface Shoe and a pair of screws.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eErgonomic handheld operation of the camera.\u003c\/li\u003e   \u003cli\u003eTwo XLR\/TRS combo inputs and one 3.5mm stereo input.\u003c\/li\u003e   \u003cli\u003eUp to four channels of audio can be recorded.\u003c\/li\u003e   \u003cli\u003eThree 1\/4\"-20 accessory mounting threads.\u003c\/li\u003e   \u003cli\u003ePhysical dials and switches for adjusting gain and other audio settings.\u003c\/li\u003e   \u003cli\u003eClamping microphone mount is ideal for optional camera-mounted shotgun mics.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eUpdated Menu System\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e   \u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony Professional","offers":[{"title":"Default Title","offer_id":52777851027737,"sku":"CAMSOILMEFX30","price":15999.98,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/5e1088bf54edfdf6249f432062d4bffc_fd99a057-cbd4-465e-8455-4d0d34dffe45.png?v=1783341921"},{"product_id":"canon-eos-c500-mark-ii-5-9k-full-frame-camera-body-1","title":"Canon EOS C500 Mark II 5.9K Full-Frame Camera Body","description":"\u003cp\u003eThe \u003cstrong\u003eCanon EOS C500 Mark II 5.9K Full-Frame Camera Body\u003c\/strong\u003e is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing.\u003cbr\u003e  \u003cbr\u003e  The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD, and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDIG!C DV 7 Image Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003ethe C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual-Pixel CMOS AF with support for Touch AF and Face Detection AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to \"hunt\" for focus.\u003c\/li\u003e   \u003cli\u003eDAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication.\u003c\/li\u003e   \u003cli\u003eYou can also use DAF and the camera's touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eFocus Control\/Assist\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFocus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eShutter Settings\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eShutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1\/3 or 1\/4 steps selected as speed increments.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eElectronic Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eA new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOther Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eSlow and Fast Motion recording\u003c\/li\u003e   \u003cli\u003ePre-recording\u003c\/li\u003e   \u003cli\u003eRelay recording\u003c\/li\u003e   \u003cli\u003eDouble slot recording\u003c\/li\u003e   \u003cli\u003eCustom picture settings\u003c\/li\u003e   \u003cli\u003eColor bars\u003c\/li\u003e   \u003cli\u003ePeaking\u003c\/li\u003e   \u003cli\u003eZebra\u003c\/li\u003e   \u003cli\u003eMy Menu settings\u003c\/li\u003e   \u003cli\u003eWaveform monitor\u003c\/li\u003e   \u003cli\u003eAssignable buttons\u003c\/li\u003e   \u003cli\u003eKey lock\u003c\/li\u003e   \u003cli\u003eMarker display\u003c\/li\u003e   \u003cli\u003eEnlarged display\u003c\/li\u003e   \u003cli\u003eCustom display\u003c\/li\u003e   \u003cli\u003eControl via Browser Remote\u003c\/li\u003e   \u003cli\u003ePeripheral illumination correction\u003c\/li\u003e   \u003cli\u003eDiffraction correction\u003c\/li\u003e   \u003cli\u003eBuilt-in monaural microphone\u003c\/li\u003e   \u003cli\u003eFan control\u003c\/li\u003e   \u003cli\u003eGeotagging\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eOptional Expansion Modules\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eExpansion unit 1 adds genlock\/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming.\u003c\/li\u003e   \u003cli\u003eExpansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. It also allows the camera to be powered using industry-standard V-mount batteries.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eLOG and LUT Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eLog workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003c\/li\u003e   \u003cli\u003eCanon Log 2 provides the most post-production flexibility and full dynamic range of the sensor. It typically requires more time in color correction.\u003c\/li\u003e   \u003cli\u003eCanon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops, which may speed up the post-production time.\u003c\/li\u003e   \u003cli\u003eIn addition to Canon Log 2 and Log 3, the camera also supports Wide DR, Normal 1, HDR-PQ, and HDR-HLG\u003c\/li\u003e   \u003cli\u003eUsers can use the included LUTs BT.709, BT.2020, DCI, ACESproxy, HDR-PQ, HDR-HLG, HDR1600%, HDR400%, or upload and apply custom LUTs to the outputs of the EOS C500 Mark II. LUTs can be assigned to specific output terminals and the LCD or viewfinder. Allowing each output to use a different LUT is great for giving different departments the look they need.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe camera body features two XLR audio inputs, and the camera supports a total of four audio tracks for recording. Two additional XLR audio inputs are available with an optional Expansion Unit 2.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e8-Bit Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eRecording in 8-bit is only available as a proxy recording to the SD card when recording Cinema RAW Light to the CFexpress cards.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eTimecode\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe camera supports drop frame (in 59.94 Hz mode only) and non-drop in all other modes. You can set the timecode to Rec Run, Free Run, and Regen.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWhite Balance Modes\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAWB, Kelvin setting (2000 to 15000K \/ -20 to +20CC), Daylight, Tungsten, Set (A\/B)\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOptional EVF\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAn optional EVF is available separately.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWireless\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eWireless streaming is available via a proprietary port on the camera body that requires a WFT unit (not included).\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe camera includes a battery and power supply for charging the battery. An optional power supply for powering the camera from mains power is not included.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eLenses that Support Auto Iris\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEF lenses\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eEF-S 10-18mm f\/4.5-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF-S 18-55mm f\/3.5-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF-S 18-135mm f\/3.5-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF-S 55-250mm f\/4-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF 24-105mm f\/3.5-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF-S 18-135mm f\/3.5-5.6 IS USM\u003c\/li\u003e   \u003cli\u003eEF-S 18-55mm f\/4-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF 70-300mm f\/4-5.6 IS II USM\u003c\/li\u003e   \u003cli\u003eEF-S 35mm f\/2.8 Macro IS STM\u003c\/li\u003e   \u003cli\u003eEF 85mm f\/1.4L IS USM\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cbr\u003e  \u003cstrong\u003eCOMPACT SERVO lenses\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eCN-E 18-80mm T4.4 L IS KAS S\u003c\/li\u003e   \u003cli\u003eCN-E 70-200mm T4.4L IS KAS S\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cbr\u003e  \u003cstrong\u003eCINE-SERVO lenses\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eCN7x17 KAS S\/E1\u003c\/li\u003e   \u003cli\u003eCN7x17 KAS S\/P1\u003c\/li\u003e   \u003cli\u003eCN20x50 IAS H\/E1\u003c\/li\u003e   \u003cli\u003eCN20x50 IAS H\/P1\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cbr\u003e  \u003cstrong\u003eENG broadcast lenses\u003c\/strong\u003e\u003cbr\u003e  2\/3 mount lenses which allow for 12-pin communication using a B4 mount. The optional MO-4E or MO-4P B4 adapter is required.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eHJ14ex4.3B IASE S\u003c\/li\u003e   \u003cli\u003eHJ18ex7.6B IASE S\u003c\/li\u003e   \u003cli\u003eHJ24ex7.5B IASE S\u003c\/li\u003e   \u003cli\u003eHJ17ex7.6B IASE S\u003c\/li\u003e   \u003cli\u003eHJ22ex7.6B IASE S\u003c\/li\u003e   \u003cli\u003eCJ45ex9.7B IASE-V H\u003c\/li\u003e   \u003cli\u003eCJ45ex13.6B IASE-V H\u003c\/li\u003e   \u003cli\u003eCJ24ex7.5B IASE S\u003c\/li\u003e   \u003cli\u003eCJ14ex4.3B IASE S\u003c\/li\u003e   \u003cli\u003eCJ18ex7.6B IASE S\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52777851093273,"sku":"3794C009AA","price":87997.54,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/ed917e4a79770708645e2c12b68398c7_b1bceaf0-2028-4b49-a6bb-70592ff0de0f.png?v=1783341922"},{"product_id":"blackmagic-design-ursa-mini-pro-4-6k-g2-digital-cinema-camera-1","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera","description":"\u003cp\u003eUpping the electronics and recording capabilities of its Mini Pro predecessor, the \u003cstrong\u003eBlackmagic Design's URSA Mini Pro 4.6K G2 Digital Cinema Camera\u003c\/strong\u003e brings expanded control set and even more functionality. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality.\u003c\/p\u003e    \u003cp\u003eFirst, the addition of external camera controls allows menus to be accessed to change exposure settings, activate slow\/fast motion, or engage focus assist or other functions. The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. Another welcome pro feature is the built-in ND (neutral density) filter wheel. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction.\u003c\/p\u003e    \u003cp\u003eBehind the display, two SD card slots beside the CFast 2.0 slots enable more affordable media to be used for less intensive recording formats. The G2 introduces a USB-C expansion port so you can record directly to external drives. The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange focal distance.\u003c\/p\u003e    \u003cp\u003eAt the heart of the camera is Blackmagic Design's acclaimed Super 35mm 4.6K sensor block, known for its ability to capture cinematic images with subtle gradients and large dynamic range rated at 15 stops. The G2 can now capture Blackmagic RAW footage in film and extended modes which makes it more versatile to meet your production needs. Probably the most impressive update with the G2 is the ability to capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting.\u003c\/p\u003e    \u003cp\u003eLike the URSA Mini, the URSA Mini Pro G2 can record high-resolution raw sensor data in Blackmagic RAW format onto CFast 2.0 or SD memory cards at up to 60 fps. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren't always easy to deal with on set so in addition to uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility.\u003c\/p\u003e    \u003cp\u003eIf raw capture is not necessary for your production, the URSA Mini Pro G2 offers ready-to-edit industry standard Apple ProRes files in many different flavors within the 444 and 422 chroma subsampling variations depending on your workflow. The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the \"Film\" dynamic range for a flatter image for grading in post-production, or \"Video\" dynamic range for a finished look right out of the camera. ProRes can be recorded to either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K; please check the Blackmagic Design website for updated card compatibility and limitations).\u003c\/p\u003e    \u003cp\u003eSince the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. With separately available accessories like the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be kitted out for comfortable shooting over extended periods. For studio-style shooting, the same shoulder pad is compatible with 15mm LWS rods for mounting lens supports for long lenses, follow focuses, lens drive motors, matte boxes, and more.\u003c\/p\u003e    \u003ch4\u003ePro Features\u003c\/h4\u003e    \u003ch5\u003eNew G2 Model Features\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003eUpdated Super 35 4.6K image sensor\u003c\/li\u003e   \u003cli\u003e4608 x 2592 with 15 stops of dynamic range at 3200 ISO\u003c\/li\u003e   \u003cli\u003e4.6K images at up to 120 frames per second\u003c\/li\u003e   \u003cli\u003eWindowed 4K DCI at up to 150 frames per second\u003c\/li\u003e   \u003cli\u003eWindowed 1080 HD at 300 frames per second\u003c\/li\u003e   \u003cli\u003eBlackmagic RAW images in both film and extended video modes\u003c\/li\u003e   \u003cli\u003eRaw compression levels up to 12:1\u003c\/li\u003e   \u003cli\u003eUSB-C expansion port for recording to external drives\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch4\u003eBuilt-In ND Filters\u003c\/h4\u003e    \u003cp\u003eThe URSA Mini Pro G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2-, 4-, and 6-stop filters have been specifically designed to match the color science of the URSA Mini Pro G2 to maintain consistent image quality with minimal color shift. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by standard ND filter. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch4\u003eExternal Control Section\u003c\/h4\u003e    \u003cp\u003eUsing a design inspired by classic broadcast cameras, the URSA Mini Pro G2 features a wide array of tactile physical controls with direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so you'll be able to adjust camera settings, apply ND filters, and change frame rates without having to look at the buttons, dive into on-screen menus, or take the camera off your shoulder.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch4\u003eUser-Interchangeable Lens Mounts\u003c\/h4\u003e    \u003cp\u003eBy default, the URSA Mini Pro G2 includes an interchangeable EF mount. If you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro G2 to be used in nearly any kind of workflow including documentary, ENG\/EFP, and cinema. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch4\u003eExternal LCD Status Display\u003c\/h4\u003e    \u003cp\u003eThe status display is a high-visibility black-and-white LCD screen designed to be easily seen even in bright light. The status display shows record timecode, locked timecode, and reference timecode along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch4\u003eAdvanced Image Processing\u003c\/h4\u003e    \u003cp\u003eThe URSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Color Science for superior imaging that results in extremely accurate skin tones and lifelike colors that rival those of cameras costing tens of thousands of dollars more. Blackmagic RAW images are encoded using a custom nonlinear 12-bit space designed to provide the maximum amount of color data and dynamic range. With Blackmagic RAW, customers can choose compression levels up to 12:1 and still get professional-quality images that can be used for feature films, documentaries, and broadcast programming. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the USB-C expansion port.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch4\u003eCFast 2.0 and SD Media Support\u003c\/h4\u003e    \u003cp\u003eTwo of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high frame rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. Since two of each slot are available, you can keep recording, regardless of format choice.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch4\u003eGeneral Features\u003c\/h4\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch4\u003eCompact Handheld Design\u003c\/h4\u003e    \u003cp\u003eSizing down the original URSA shape enables the URSA Mini Pro G2 to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with built-in quick release plate, the URSA Mini Pro G2 can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini Pro G2 still fits essential controls and I\/O for professional workflows.\u003c\/p\u003e    \u003cp\u003eThe body is made from magnesium alloys to keep the URSA Mini Pro G2 lightweight at just over five pounds. With the optional shoulder mount and optional side handgrip, the handgrip can be extended off the side of the camera to be used in a doc-style configuration.\u003c\/p\u003e    \u003ch4\u003e4.6K Super 35 Sensor\u003c\/h4\u003e    \u003cp\u003eWith an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater-than 4K resolution with a filmlike 15 stops of dynamic range at a very high 3200 ISO. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.\u003c\/p\u003e    \u003cp\u003eThe URSA Mini Pro G2 can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini Pro G2 can also record slow-motion footage at up to 300 fps in 1080p resolution. When recording high frame rates, the URSA Mini Pro G2 will conform captured footage to the set standard frame rate, resulting in smooth footage that doesn't require post-processing before editing.\u003c\/p\u003e    \u003ch4\u003eTouchscreen Control\u003c\/h4\u003e    \u003cp\u003eIn addition to more traditional button-driven menus and the bevy of external controls, the URSA Mini Pro G2 features a fold-out 4\" capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard.\u003c\/p\u003e    \u003ch4\u003eProfessional Connections\u003c\/h4\u003e    \u003cp\u003eThe URSA Mini G2 features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode in, and reference input. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable and switches to 6G-SDI or HD-SDI depending on the shooting format.\u003c\/p\u003e    \u003ch4\u003eQuality Sound Recording\u003c\/h4\u003e    \u003cp\u003eWith high-quality built-in microphones and professional audio recording features, you don't have to carry around extra sound equipment. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones.\u003c\/p\u003e    \u003ch4\u003eMultiple Power Options\u003c\/h4\u003e    \u003cp\u003eOn its own, the URSA Mini Pro G2 includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. That means it's easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-mount batteries.\u003c\/p\u003e    \u003ch4\u003eDaVinci Resolve Software Included\u003c\/h4\u003e    \u003cp\u003eIncluded with the camera is a DaVinci Resolve USB dongle which contains a license to unlock the full feature set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve is designed to handle the 12-bit log raw images from URSA Mini Pro G2, so you can take advantage of URSA Mini Pro G2's image quality and wide dynamic range. DaVinci Resolve features advanced, multilayer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools\u003c\/p\u003e    \u003ch3\u003e \u003c\/h3\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52777851158809,"sku":"BLA-CINEURSAMUPRO46KG2","price":60216.76,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/7ef8b35b4f17646dcb815e8b6e514060_3bf359cc-9827-4280-9bc7-36ea2588ddff.png?v=1783341924"},{"product_id":"canon-eos-c70-cinema-video-camera-1","title":"Canon EOS C70 Cinema Video Camera","description":"\u003ch2\u003e\u003cstrong\u003eCinema Capture in an RF-Mount, Mirrorless Form\u003c\/strong\u003e\u003c\/h2\u003e    \u003cp\u003eIncorporating key Cinema EOS video tools in a mirrorless-style body, the Canon EOS C70 Cinema Camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The EOS C70 is the first Cinema EOS camera with an RF mount that enables you to use Canon's line of fast, reliable RF lenses with advanced coatings and image stabilization.The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eVideo resolutions include DCI 4K capture at rates ranging from 23.98 to 60 fps, plus high-speed options up to 120 fps in UHD 4K and 180 fps in cropped 2K. Pro video functions include unlimited video recording, Dual Pixel CMOS AF autofocus control, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input\/output connector, and built-in dual mini-XLR audio inputs.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eExceptional Image Quality\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"DGO Sensor\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732781.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCanon Super35 Dual Gain Output (DGO) Sensor\u003c\/p\u003e    \u003cp\u003eCanon's next-generation Super35 Dual Gain Output (DGO) Sensor offers a dynamic range of up to 16+ stops and includes Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor generates a high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDIG!C DV7 Image Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eCanon's DIG!C DV7 image processor takes the extensive raw information captured from the imaging sensor and processes it for output. The DiG!C engine is also the driving force behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Log 2 and 3; PQ and HLG Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C70 supports both the full dynamic range Canon Log 2 and the more workflow-friendly Canon Log 3 gamma. Canon Log formats are designed to reproduce the entire tonal range of its CMOS image sensor. Turn to a log post-production workflow when you're seeking a higher dynamic range, improved highlights and shadow retention, and increased grading flexibility. Note that while Canon Log 2 offers the largest dynamic range and image detail, the most post-production flexibility, and the full dynamic range of the sensor, it typically will require more time spent in color correction.\u003cbr\u003e  \u003cbr\u003e  For users seeking most of the benefits of a log workflow but with reduced turnaround times, choose the Canon Log 3 alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eHighly Adaptable Shooting Style\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1421906.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRF Lens Mount\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA built-in RF lens mount lends the EOS C70 compatibility with Canon's expanding line of high-performance RF-mount lenses.\u003c\/li\u003e   \u003cli\u003eWith a short flange distance, the RF mount helps to noticeably reduce the camera body's depth, resulting in a more compact design.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876215.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEF Lens Compatibility with Optional Adapter\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eTo provide greater flexibility in lens choices, the EOS C70 camera is also compatible with the separately available EF-EOS R 0.71X EF to RF lens mount adapter. This adapter converts your full-frame lenses to Super35 format while also providing a handy aperture speed boost of around one stop The EF adapter passes EF lens data through the RF mount, providing full Dual-Pixel Autofocus and metadata information for select lenses.\u003cbr\u003e  \u003cbr\u003e  Additional compatible adapters include the EF-EOS R Canon Mount, Canon Control Ring Mount, Drop-In Circular Polarizer Filter Mount, and Drop-In Variable ND Filter Mount adapters.\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Direct Touch Control\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732783.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDirect Touch Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C70 features Direct Touch Control, enabling you to quickly and easily access your favorite menu settings through the fully rotatable LCD screen. Simply touch the 3.5\" screen to start\/stop recording, set ISO\/Gain, color temperature, and iris, and access other critical settings. Recording settings that are located in different menus can now be controlled with one hand, enabling on-the-spot changes even while operating the camera with one hand.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e9 x 16 Vertical Capture\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUse the 1\/4\"-20 tripod thread built into the grip to position the EOS C70 for vertical use when capturing images for digital signage or mobile device use. For easier viewing, the user interface can also be switched for vertical use.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCompact Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe compact EOS C70 features a lightweight design with a built-in ergonomic grip. This smallest of the EOS bodies has two top shoe mounts and comes with a detachable handle and a mic holder.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1877426.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eMini-XLR Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options for the EOS C70\u003c\/li\u003e   \u003cli\u003eThe EOS C70 supports up to 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eDesigned specifically for the EOS C70's short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density - an especially handy feature for ENG shooters or when shooting in quickly changing lighting conditions.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eTimecode Input\/Output\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eA BNC connector on the front of the EOS C70 enables users to input and output timecode, making synching on multicamera shoots easier.\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Dual Pixel Focus Guide\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732786.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAnother innovative EOS C70 feature is the Dual Pixel CMOS AF Technology, which uses each pixel on the CMOS sensor for both focus detection and image information, resulting in precision focusing and optimal image quality. The EOS C70 is also the first Cinema EOS camera to feature the EOS iTR AF X autofocus function featuring a head-detection algorithm developed using deep-learning technology.\u003c\/li\u003e   \u003cli\u003eIn Face Detection mode, this algorithm helps to improve distance measuring and tracking reliability, even when a subject turns their head to the side or back.\u003c\/li\u003e   \u003cli\u003eThe EOS C70 also features the innovative Dual Pixel Focus Guide, which provides both front- and back-focus information to let users know where to set the focus during manual pulls.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg alt=\"Stabalization\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732788.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEIS with Coordinated Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTo smooth out handheld shots, the EOS C70 is the first Cinema EOS camera to offer enhanced image stabilization with coordinated control. When used with an RF-mount lens and the EOS C70's electronic IS, coordinated control optimizes hand-shake correction for even greater vibration reduction than that obtained with an EF-mount lens and electronic IS.\u003c\/li\u003e   \u003cli\u003eWhen working in the 2K format, the EOS C70's Super16 Digital IS improves performance by using the peripheral area around the center of the 4K sensor to stabilize the image.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAuto ISO\/Gain Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn another first for the Cinema EOS line, the EOS C70 can automatically adjust ISO and Gain Control using the DGO (dual gain output) to change gain smoothly, enabling users to concentrate on their framing instead of their aperture control when moving between locations with notable changes in light levels.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRC-V100 Support and LANC Compatible\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C70 body's remote LANC terminal enables remote control using the optional Canon RC-V100 unit. The RC-V100 provides full access to key functions like start\/stop, shutter\/gain adjustments, focus\/iris\/zoom settings, display settings, white balance, black gamma, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Workflow Optimization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Card Formats\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732779.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/p\u003e    \u003cp\u003eDual SD card slots on the EOS C70 enable simultaneous recording in different formats including 4K\/HD and XF-AVC\/MP4 options. The EOS C70 can also capture still photos when on standby in select video modes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876216.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eStandard and High Frame Rate to 4K 120p\u003c\/p\u003e    \u003cp\u003eWith its new chip design and DIG!C DV7 processor, the EOS C70 is capable of both standard rates ranging from 23.98 to 60pfs and ultra-high frame rates. Capture video at frame rates up to 120 fps in 4K and up to 180 fps in the 2K crop mode. Dual Pixel AF is supported by the EOS C70 even at high frame rates, keeping your focus even when used on a gimbal or drone.\u003cbr\u003e   \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eLog2\/3 and Cube LUT Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFor greater flexibility during post-production, this camera also offers Canon's Log 2 and Log 3 gamma modes, both of which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C70 also supports .cube 3D LUTs so you can get the most accurate color reproduction on both the LCD and your external viewing monitors\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e4K\/2K Long GOP Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C70 supports the higher-compression Long GOP for longer recording times at rates up to 4K60p. The inter-frame Long GOP compression detects differences between frames by referring to preceding and subsequent frames.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003cp\u003eImaging\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Communication\u003c\/td\u003e     \u003ctd\u003eYes, with Autofocus Support\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Resolution\u003c\/td\u003e     \u003ctd\u003eActual: 9.6 Megapixel (4206 x 2280)\u003cbr\u003e     Effective: 8.85 Megapixel (4096 x 2160)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sensor\u003c\/td\u003e     \u003ctd\u003e26.2 x 13.8 mm (Super35) CMOS\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePixel Pitch\u003c\/td\u003e     \u003ctd\u003e6.4 µm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eDigital, 5-Axis\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e     \u003ctd\u003eMechanical Filter Wheel with Clear, 2-Stop (1\/4), 4-Stop (1\/16), 6-Stop (1\/64), 8-Stop (1\/256), 10-Stop (1\/1024) ND Filters\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCapture Type\u003c\/td\u003e     \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eExposure Control\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Type\u003c\/td\u003e     \u003ctd\u003eElectronic Rolling Shutter\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Speed\u003c\/td\u003e     \u003ctd\u003e1\/2000 to 1\/12 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eISO Sensitivity\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003ePhoto\/Video\u003c\/strong\u003e\u003cbr\u003e     160 to 25,600 (Extended: 100 to 102,400)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGain\u003c\/td\u003e     \u003ctd\u003e-6 to 54 dB (Native)\u003cbr\u003e     -2 to 54 dB (Expanded)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Angle\u003c\/td\u003e     \u003ctd\u003e11 to 360°\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAdvertised Dynamic Range\u003c\/td\u003e     \u003ctd\u003e16 Stops\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e2000 to 15,000K\u003cbr\u003e     \u003cstrong\u003ePresets: \u003c\/strong\u003eAWB, Daylight, Set A, Set B, Tungsten\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eVideo Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eXF-AVC 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080i) at 50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/25\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     1920 x 1080i at 50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     1280 x 720 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4098 x 2160) [135 to 225 Mb\/s]\u003cbr\u003e     DCI 4K (4098 x 2160)\u003cbr\u003e     UHD 4K (3840 x 2160) at 50\/59.94 fps [135 to 225 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160)\u003cbr\u003e     2840 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [50 Mb\/s]\u003cbr\u003e     2048 x 1080\u003cbr\u003e     1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [50 Mb\/s]\u003cbr\u003e     1920 x 1080\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:2 8-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160)\u003cbr\u003e     UHD 4K (3840 x 2160)\u003cbr\u003e     DCI 2K (2048 x 1080)\u003cbr\u003e     1920 x 1080\u003cbr\u003e     \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:0 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) [100 to 170 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [100 to 170 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) from 12 to 24.00 fps [35 Mb\/s]\u003cbr\u003e     1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [9 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) [150 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [150 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) [24 to 35 Mb\/s]\u003cbr\u003e     1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 35 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 Mb\/s]\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003cbr\u003e     DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50 fps\u003cbr\u003e     1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003cbr\u003e     1280 x 720 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Crop Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e\u003cbr\u003e     2K (2048 x 1080)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGamma Curve\u003c\/td\u003e     \u003ctd\u003eCanon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Wide DR\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBroadcast Output\u003c\/td\u003e     \u003ctd\u003eNTSC\/PAL\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e     \u003ctd\u003eStereo\u003cbr\u003e     Mono\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio Recording\u003c\/td\u003e     \u003ctd\u003e4-Channel 24-Bit 48 kHz LPCM Audio\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eStill Image Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sizes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e16:9 JPEG\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160\u003cbr\u003e     1920 x 1080\u003cbr\u003e     \u003cstrong\u003e17:9 JPEG\u003c\/strong\u003e\u003cbr\u003e     4096 x 2160\u003cbr\u003e     2048 x 1080\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAspect Ratio\u003c\/td\u003e     \u003ctd\u003e16:9, 17:9\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage File Format\u003c\/td\u003e     \u003ctd\u003eJPEG\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBit Depth\u003c\/td\u003e     \u003ctd\u003e12-Bit\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eHDMI (Unspecified Signal) Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eMini XLR Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eBarrel (11.5 to 20VDC) Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Control\/Video Input\/Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (Timecode) Input\/Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e2.5 mm Sub-Mini (LANC) Control\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMobile App Compatible\u003c\/td\u003e     \u003ctd\u003eNo\u003cbr\u003e     \u003cem\u003e*As of November, 2022: Check with manufacturer for the most up-to-date compatibility\u003c\/em\u003e\n\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003eGPS\u003cbr\u003e     *\u003cem\u003eAdapter Required\u003c\/em\u003e\n\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e1280 x 720 (2,760,000 Dot)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eAutomatic, Continuous-Servo AF, Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e85% (Recommended)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon BP-A Series\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShoe Mount\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eCold Shoe\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003e1\/4\"-20 Female (Bottom)\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e3\/8\"-16 Female (Bottom)\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20 Female (Side)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eNetflix Approved\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e5.1 x 6.3 x 4.6\" \/ 130.2 x 160 x 115.9 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e2.58 lb \/ 1.17 kg (Body Only)\u003cbr\u003e     2.95 lb \/ 1.34 kg (With Battery)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e6.655 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e13.6 x 10.3 x 8.3\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52777851224345,"sku":"4507C003AA","price":48000.54,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/13905bedad098a7cac772eb661f5a6aa_812f6b7d-2a6b-4da3-a96a-78407b70f828.png?v=1783341925"},{"product_id":"canon-eos-c300-mark-iii-digital-cinema-camera-body-1","title":"Canon EOS C300 Mark III Digital Cinema Camera Body","description":"\u003cp\u003eCreate cinema-quality productions with the \u003cstrong\u003eCanon EOS C300 Mark III Digital Cinema Camera\u003c\/strong\u003e, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.\u003cbr\u003e  \u003cbr\u003e  The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.\u003cbr\u003e  \u003cbr\u003e  For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.\u003cbr\u003e  \u003cbr\u003e  The camera features up to 12G-SDI output over a single BNC cable, timecode I\/O, and genlock input BNCs. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3\" rotating touchscreen LCD unit with full controls, grip, and thumb rest.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Super 35 Dual Gain Output (DGO) Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III features Canon's next-generation Super 35mm Dual Gain Output (DGO) Sensor. This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor is a newly developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDIG!C DV7 Image Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III features Canon's DIG!C DV7 image processor that takes the extensive raw information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Cinema EOS C300 Mark III features Canon's Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase difference to provide autofocus with compatible lenses. DAF can survey the scene and recognize not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eHigh Frame Rate; 4K 120p and 2K CROP 180p\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Log 2 and 3 Gamma\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003cbr\u003e  \u003cbr\u003e  Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.\u003cbr\u003e  \u003cbr\u003e  For users looking for most of the benefits of Log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eModular Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eA new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories, and rangefinder as it is stripped down flying on a drone.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Cinema RAW Light and XF-AVC Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1\/3 to 1\/5 the size of Canon Cinema RAW. Canon Cinema RAW Light offers a great combination of codec efficiency and quality.\u003cbr\u003e  \u003cbr\u003e  In addition to the conventional Intra-based XF-AVC codecs, a 4:2:2 10-bit Long GOP-based codec has been added with consideration for a balance of quality and data rates. This new Long GOP-based codec has a data rate that is less than half that of the conventional Intra codecs. This new lightweight codec makes it easier for users to reduce media costs and work with cloud-based infrastructures.\u003cbr\u003e  \u003cbr\u003e  The EOS C300 Mark III Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K and 2K image data to be recorded internally onto CFexpress cards in workflow-efficient file sizes using advanced video compression. Using the XF-AVC codec, the EOS C300 Mark III can record a variety of frame fates up to 4K 120 fps and 2K up to 180 fps.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eLM-V2 4.3\" LCD Touchscreen Monitor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe LM-V2 4.3\" LCD Monitor is an easy-to-view touch panel with approximately 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Additionally, the display has a control interface to make it easy to access and change camera settings.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e4-Channel Audio Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera's internal microphone, mini mic port, and XLR ports can be assigned to the four different audio channels. With the Expansion Unit EU-V2, a total of four XLR ports are supported. This flexibility allows for a wide range of audio devices to be connected and mixed directly on the camera.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSupport for Custom User LUTs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUsers can upload and apply custom LUTs to the EOS C300 Mark III. LUTs can be assigned to specific output terminals, LCD, and viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eUser-Interchangeable Lens Mounts\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUser-interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter. The EOS C300 Mark III ships with an EF mount that can be user-swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAnamorphic Lens Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III offers cinematographers support for the use of both 2.0 and 1.33 anamorphic lens types. Users can achieve the wide cinematic looks, oval bokeh, and striking flares particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eProxy Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eHigher resolution, greater bit depths, and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for initial file sharing and rough cutting.\u003cbr\u003e  \u003cbr\u003e  Canon's powerful high-speed DIGIC DV7 image processor makes it possible for the EOS C300 Mark III to simultaneously record 2K Proxy files. Cinema RAW Light can be recorded to the internal CFexpress card, while an XF-AVC 2K 4:2:0 8-bit proxy can be recorded directly to an internal SD card. The C300 Mark III can also apply LUTs to Proxy recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eElectronic Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e12G-SDI Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eSupport for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRC-V100 Support and LANC Compatible\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS-422) in both expansion unit EU-V1 and EU-V2. Through these connectors, the EOS C300 Mark III can be completely remote-operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52777851322649,"sku":"3795C003AA","price":71998.74,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/c155eb7d1d34a49907fed780e32518be_a7eae124-cfb5-4982-8617-e5df44eb7923.png?v=1783341927"},{"product_id":"canon-eos-r5-c-mirrorless-cinema-camera-1","title":"Canon EOS R5 C Mirrorless Cinema Camera","description":"\u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eReady for Anything\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eFor all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the \u003cstrong\u003eEOS R5 C Mirrorless Cinema Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.\u003c\/div\u003e    \u003cdiv\u003e  \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG\/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi\/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress\/SD card slots, a similar button layout, and more. The EOS R5 C is also moisture and dustproof to the same level as its cinema cousin, the EOS C70. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eCanon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.  \u003cul\u003e   \u003cli\u003eFocus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps\u003c\/li\u003e   \u003cli\u003eDual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects\u003c\/li\u003e   \u003cli\u003eWith 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF\u003c\/li\u003e   \u003cli\u003eFor those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles\u003c\/li\u003e   \u003cli\u003eConnectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images\u003c\/li\u003e  \u003c\/ul\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eVideo Control for the Dedicated Video Professional\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eAs soon as the EOS R5 C's main switch is moved to the \"video\" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During \"photo\" operation, menus are nearly the same as they are on the EOS R5 camera.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eErgonomic EOS Design\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eCMOS Sensor and DIGIC X Processor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eThe 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e8K60 RAW Recording\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eCinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.\u003cbr\u003e  \u003cbr\u003e  The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\n\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e    \u003cdiv\u003e  \u003cp\u003eImaging\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Communication\u003c\/td\u003e     \u003ctd\u003eYes, with Autofocus Support\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Resolution\u003c\/td\u003e     \u003ctd\u003eActual: 47.1 Megapixel\u003cbr\u003e     Effective: 45 Megapixel (8192 x 5464)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sensor\u003c\/td\u003e     \u003ctd\u003e36 x 24 mm (Full-Frame) CMOS\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePixel Pitch\u003c\/td\u003e     \u003ctd\u003e5.5 µm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eDigital\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Filter Holder\u003c\/td\u003e     \u003ctd\u003eNo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCapture Type\u003c\/td\u003e     \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eExposure Control\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Type\u003c\/td\u003e     \u003ctd\u003eElectronic Shutter, Mechanical Focal Plane Shutter\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Speed\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eMechanical Shutter\u003c\/strong\u003e\u003cbr\u003e     1\/8000 to 30 Seconds\u003cbr\u003e     \u003cstrong\u003eElectronic Front Curtain Shutter\u003c\/strong\u003e\u003cbr\u003e     1\/8000 to 30 Seconds\u003cbr\u003e     \u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e     1\/8000 to 0.5 Seconds\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBulb\/Time Mode\u003c\/td\u003e     \u003ctd\u003eBulb Mode\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eISO Sensitivity\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003ePhoto\u003c\/strong\u003e\u003cbr\u003e     100 to 51,200 in Manual Mode (Extended: 50 to 102,400)\u003cbr\u003e     100 to 12,800 in Auto Mode (Extended: 100 to 51,200)\u003cbr\u003e     \u003cstrong\u003eVideo\u003c\/strong\u003e\u003cbr\u003e     100 to 51,200 (Extended: 50 to 102,400)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMetering Method\u003c\/td\u003e     \u003ctd\u003eCenter-Weighted Average, Evaluative, Partial, Spot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExposure Modes\u003c\/td\u003e     \u003ctd\u003eAperture Priority, Manual, Program, Shutter Priority\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExposure Compensation\u003c\/td\u003e     \u003ctd\u003e-3 to +3 EV (1\/3, 1\/2 EV Steps)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMetering Range\u003c\/td\u003e     \u003ctd\u003e-3 to 20 EV\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e0 to 0K\u003cbr\u003e     \u003cstrong\u003ePresets: \u003c\/strong\u003eAuto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Tungsten\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eContinuous Shooting\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eMechanical Shutter\u003c\/strong\u003e\u003cbr\u003e     Up to 12 fps at 45 MP for up to 180 Frames (Raw) \/ 350 Frames (JPEG)\u003cbr\u003e     \u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e     Up to 20 fps at 45 MP for up to 83 Frames (Raw) \/ 170 Frames (JPEG)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eInterval Recording\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSelf-Timer\u003c\/td\u003e     \u003ctd\u003e2\/10-Second Delay\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eVideo Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eRaw 12-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 8K (8192 x 4320) at 23.98\/24.00\/25\/29.97 fps [2600 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eAVC-Intra\/AVC-LongG\/XF-AVC 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/59.94\/100\/120 fps [160 to 810 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/100\/120 fps [160 to 810 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/25\/29.97\/50\/59.94\/120 fps [50 to 310 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eAVC-LongG\/MP4 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 8K (8192 x 4320) at 23.98\/24.00\/25\/29.97 fps [400 to 540 Mb\/s]\u003cbr\u003e     UHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps [400 to 540 Mb\/s]\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94\/100\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eAVC-LongG\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [100 to 225 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eRaw\/Cinema RAW Light\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [1030 to 2570 Mb\/s]\u003cbr\u003e     5952 x 3140 at 23.98\/24.00\/29.97\/50\/59.94 fps [544 to 1360 Mb\/s]\u003cbr\u003e     2976 x 1570 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [138 to 344 Mb\/s]\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) up to 59.94 fps\u003cbr\u003e     UHD 4K (3840 x 2160) up to 59.94 fps\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Crop Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e\u003cbr\u003e     5952 x 3184\u003cbr\u003e     4096 x 2160\u003cbr\u003e     3840 x 2160\u003cbr\u003e     \u003cstrong\u003eSuper16\u003c\/strong\u003e\u003cbr\u003e     2976 x 1570\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGamma Curve\u003c\/td\u003e     \u003ctd\u003eCanon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBroadcast Output\u003c\/td\u003e     \u003ctd\u003eNTSC\/PAL\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eStill Image Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sizes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e3:2 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464\u003cbr\u003e     5088 x 3392\u003cbr\u003e     \u003cstrong\u003e3:2 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464\u003cbr\u003e     5808 x 3872\u003cbr\u003e     4176 x 2784\u003cbr\u003e     2400 x 1600\u003cbr\u003e     \u003cstrong\u003e4:3 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     7280 x 5464\u003cbr\u003e     5152 x 3872\u003cbr\u003e     3715 x 2784\u003cbr\u003e     2112 x 1600\u003cbr\u003e     \u003cstrong\u003e16:9 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 4608\u003cbr\u003e     5808 x 3264\u003cbr\u003e     4176 x 2344\u003cbr\u003e     2400 x 1344\u003cbr\u003e     \u003cstrong\u003e1:1 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     5456 x 5456\u003cbr\u003e     3872 x 3872\u003cbr\u003e     2784 x 2784\u003cbr\u003e     1600 x 1600\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAspect Ratio\u003c\/td\u003e     \u003ctd\u003e1:1, 3:2, 4:3, 16:9\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage File Format\u003c\/td\u003e     \u003ctd\u003eC-RAW, HEIF, JPEG, Raw\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBit Depth\u003c\/td\u003e     \u003ctd\u003e14-Bit\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eSlot 1: CFexpress Type B\u003cbr\u003e     Slot 2: SD\/SDHC\/SDXC (UHS-II)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMicro-HDMI Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Mic\/Line Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (9VDC at 3 A) Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (USB 3.2 \/ 3.1 Gen 2) (Shared with Power Input)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003eBluetooth Control\u003cbr\u003e     2.4 \/ 5 GHz Wi-Fi (802.11b\/g), Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac) Video Output, Control\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.2\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,100,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eFree-Angle Tilting Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eViewfinder\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eBuilt-In Electronic (OLED)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e5,790,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eEye Point\u003c\/td\u003e     \u003ctd\u003e23 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCoverage\u003c\/td\u003e     \u003ctd\u003e100%\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMagnification\u003c\/td\u003e     \u003ctd\u003eApprox. 0.76x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiopter Adjustment\u003c\/td\u003e     \u003ctd\u003e-4 to +2\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eContinuous-Servo AF, Manual Focus, Single-Servo AF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAutofocus Points\u003c\/td\u003e     \u003ctd\u003ePhase Detection: 1053\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAutofocus Sensitivity\u003c\/td\u003e     \u003ctd\u003e-6 to +20 EV\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Flash\/Light\u003c\/td\u003e     \u003ctd\u003eNo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Sync Speed\u003c\/td\u003e     \u003ctd\u003e1\/250 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFlash Compensation\u003c\/td\u003e     \u003ctd\u003e-3 to +3 EV (1\/3, 1\/2 EV Steps)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDedicated Flash System\u003c\/td\u003e     \u003ctd\u003eeTTL\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Flash Connection\u003c\/td\u003e     \u003ctd\u003eShoe Mount\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e0 to 85%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon LP-E6N\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20 Female (Bottom)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\u003cstrong\u003e1 x\u003c\/strong\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e5.6 x 4 x 4.4\" \/ 142.2 x 101.6 x 111.8 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e1.5 lb \/ 680 g (Body Only)\u003cbr\u003e     1.7 lb \/ 770 g (With Battery, Recording Media)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e3.205 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e9.7 x 7.8 x 7.5\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e  \u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52777851388185,"sku":"5077C003AA","price":19996.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/b12b42084101c428ced5a3f578ad3913_3b6edeba-7a6c-46a0-8a1e-2e9411dd4b59.png?v=1783341928"},{"product_id":"sony-fx30b-digital-cinema-camera-body-only-1","title":"Sony FX30B Digital Cinema Camera (Body Only)","description":"\u003cp\u003eLeveraging the power of a newly developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCinematic Expression\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e26MP APS-C\/Super35 Exmor R BSI CMOS Sensor\u003c\/p\u003e    \u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super35 (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Capture Options\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eHigh-sensitivity recording up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e   \u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e   \u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e   \u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e   \u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD at up to 240 fps.\u003c\/li\u003e   \u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eProfessional Picture Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e   \u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e   \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e   \u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eOperation for All Levels\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e   \u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e   \u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eIntuitive Operation and Controls\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038698.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e5-Axis In-Body Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFast Hybrid AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points spread across 90% of the image sensor.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e   \u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e   \u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eComprehensive Feature Set\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e   \u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e   \u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038695.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eMedia Options\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCatalyst Browse and Prepare Integration\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003cbr\u003e  \u003cbr\u003e  Metadata recorded includes:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e   \u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e   \u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e   \u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e   \u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038697.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eErgonomic Form for Solo Operation\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003cbr\u003e  \u003cbr\u003e  The body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e   \u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e   \u003cli\u003eFully customizable button layout.\u003c\/li\u003e   \u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e   \u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e   \u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e   \u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eUpdated Menu System\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e   \u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038700.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eA Plethora of Connectivity Options\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e   \u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e   \u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e   \u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e   \u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e   \u003cli\u003eMulti Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony Professional","offers":[{"title":"Default Title","offer_id":52777851453721,"sku":"CAMSOILMEFX30B","price":13999.98,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/12a4f1882c2c892ab1ed302c67647458_7585813c-4d66-4cf9-b0ec-2daf2a5502ec.png?v=1783341930"},{"product_id":"canon-eos-c400-6k-full-frame-digital-cinema-cinema-canon-rf-1","title":"Canon EOS C400 6K Full-Frame Digital Cinema Cinema (Canon RF)","description":"\u003cp\u003eCreators looking to capture a rich cine look while accessing versatile imaging tools can now turn to \u003cstrong\u003eCanon\u003c\/strong\u003e's RF-mount \u003cstrong\u003eEOS C400 6K Full-Frame Digital Cinema Camera\u003c\/strong\u003e. Based around a new 6K full-frame, back-illuminated CMOS sensor, the C400 features three ISO bases of 800, 3200, and 12,800, covering a truly wide range of light levels. This digital cinema camera blends high-resolution imagery with both cine-style and broadcast features like an optional Cooke\/i PL mount, return video, and both Super35 and Super16 modes with solo shooter-friendly functions such as Dual-Pixel CMOS AF II, internal ND filters, and a compact, lightweight form.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e6K Full-Frame Sensor\u003c\/p\u003e    \u003cp\u003eCanon has placed its new 6K CMOS sensor at the heart of the C400 camera, enabling it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. This is all made possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.\u003c\/p\u003e    \u003cp\u003eTriple-Base ISOs\u003c\/p\u003e    \u003cp\u003eThe same 6K CMOS sensor also provides the choice of a trio of ISO speeds: 800, 3200, and 12,800, so you can capture both the brilliance of settings like Times Square or a full-sun landscape and the nuances of available light scenes like an interior location or a nighttime city skyline.\u003c\/p\u003e    \u003cp\u003eMultiple Recording Formats\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDifferent projects demand specific recording formats, and the C400 has you covered with up to 6K60 Cinema RAW and HQ, ST, and LT Cinema RAW Light 12-bit modes. Oversampled 4K with amazing detail is available in 10-bit 4:2:2 with frame rates up to 120p, all without cropping the image on the sensor. Slow- and fast-motion can be captured at rates up to UHD 4K120 and 2K180.\u003c\/li\u003e   \u003cli\u003eCanon has made your editing process easier with two new codecs: XF-AVC S and XF-HEVC S, both featuring an easier naming system and folder structure and metadata preservation, all within the established MP4 format.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eOptional PL-Mount Adapter\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260507.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eWiden your lens choices to include a range of beautiful pro cinema \"glass\" using the separately available PL-RF adapter for the C400. This adapter includes side lock plates for a secure fit and transfers Cooke\/i metadata for VF\/X and other post-production uses.\u003c\/p\u003e    \u003cp\u003eDual Media Slots\u003c\/p\u003e    \u003cp\u003eFans of proxy recordings will appreciate the CFexpress Type-B and SD card slots on the C400, which enable sub-recording and proxy capture using the SD card slot while simultaneously recording up to raw using a CFexpress card.\u003c\/p\u003e    \u003cp\u003eMechanical ND Filters\u003c\/p\u003e    \u003cp\u003eWhether you're shooting a cine-style feature or grabbing run-and-gun footage for a documentary or event coverage, you'll appreciate the ability to quickly dial in up to 10 stops of ND filtration with the C400. This near-instant exposure adjustment enables you to maintain your chosen depth of field since it negates the need to stop down on your lens.\u003c\/p\u003e    \u003cp\u003eCompact, Lightweight Body\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260506.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCanon's RF lens mount features a short flange back, reducing its lens mount area and overall size, which makes it the ideal camera for gimbal, handheld, or drone capture.\u003c\/p\u003e    \u003cp\u003eImproved Autofocus Function\u003c\/p\u003e    \u003cp\u003eFor those moments or whole shoots where you're not assisted by a focus puller, the C400 offers Canon's dual-pixel autofocus function, which has been improved by the wider area of the back-illuminated CMOS sensor, which is available for autofocus. Intelligent tracking lets you follow the eyes, face, head, and body areas of a subject with increased accuracy. For nature documentary shooters, the C400 provides the ability to detect the eyes, face, or body of select animals without being affected by their size or facial orientation.\u003c\/p\u003e    \u003cp\u003eProduction and Broadcast Features\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe versatile C400 incorporates a variety of interfaces that make it suitable for both film- and broadcast-style productions. These ports include 12G-SDI, 3G-SDI, and HDMI video outputs, dual mini-XLR audio inputs, timecode, genlock, and return video DIN connectors, and a 12-pin lens port.\u003c\/li\u003e   \u003cli\u003eAn automatic clear-scan mode for the shutter detects your light source's frequency, helping to reduce or eliminate the flickering sometimes found in LED walls.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eLCD, Handle, and Grip\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260504.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eErgonomic improvements featured by the C400 include a new touchscreen LCD, grip, and battery. The LCD mount has both angle and length adjustments for optimal positioning of the LCD whether you're shooting handheld, shoulder-mounted, or on a tripod. The ergonomic, articulated handgrip features a multifunction shoe, three assignable buttons, and captive screws that won't get lost when you're mounting or detaching the grip.\u003c\/p\u003e    \u003cp\u003eEthernet\/Wi-Fi Control and IP Streaming\u003c\/p\u003e    \u003cp\u003eUse the C400's Ethernet port and Canon's IP-based XC protocol to add RC-IP1000, RC-IP100, or third-party remote-control shading to your broadcast-style shoot. The Canon RCCA (Remote Control Camera Application) is compatible with the C400, enabling control of camera settings and multicamera control. The C400 also offers IP streaming using the SRT protocol.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52777851519257,"sku":"6388C003AA","price":68078.16,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/d03896fe9625f6b08f602fdb3d67168a_1495ce14-4a83-44c9-aafa-511e03ee86c7.png?v=1783341931"},{"product_id":"blackmagic-pyxis-6k-leica-l-1","title":"Blackmagic PYXIS 6K (Leica L)","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a native Leica L lens mount with customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232261.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232265.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e    \u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232263.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFlexible Film Formats\u003c\/p\u003e    \u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e    \u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e    \u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232258.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e    \u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232262.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCustomize Your Gear\u003c\/p\u003e    \u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232257.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e   \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232259.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003ePost-Production File Formats\u003c\/p\u003e    \u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232253.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMultiple Recording Options\u003c\/p\u003e    \u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232252.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e    \u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232254.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eExpansive Connectivity\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e   \u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e   \u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e   \u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52777851584793,"sku":"BLA-CINECAMCPYXA60LFL","price":29880.68,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/de814ef86485a72447ed4e876174d2c9_ae8b49e1-030d-438b-9eac-3683c7d1af88.png?v=1783341932"},{"product_id":"blackmagic-pyxis-12k-pl-body-only-1","title":"Blackmagic PYXIS 12K PL (body only)","description":"\u003cp\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/p\u003e\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468224.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468229.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468228.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468232.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468227.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustomizable Rigging\u003c\/p\u003e\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468231.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468212.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePost-Production-Friendly Formats\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468241.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468215.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Syncing to Blackmagic Cloud\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBuilt-In Streaming\u003c\/p\u003e\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468233.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources. \u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52777851617561,"sku":"BLA-CINECAMCPYXO12LFPL","price":50205.32,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/1652f6742fafe8c1a449c7b066998f86_abdbc1e7-f521-4234-b577-9a4f99b1a4fc.png?v=1783341934"},{"product_id":"blackmagic-design-ursa-cine-12k-lf-body-only-1","title":"Blackmagic Design URSA Cine 12K LF Body only","description":"\u003cp\u003eCapture the heart of your story with a true cinematic look and feel using the redesigned \u003cb\u003eURSA Cine 12K LF Camera\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. This body-only URSA Cine 12K model sports a cinematic 12K full-frame 36 x 24mm sensor with an advertised 16 stops of dynamic range and Blackmagic RAW capture up to 12K 3:2 open gate. The versatile camera features Wi-Fi and SRT live streaming, built-in ND filters, LEMO and Fischer standard control\/power connections, and high-speed networking for cloud storage and M.2 SSD media. It comes with a locking EF mount, and all other accessories are optional.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232009.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCinematic Large-Format Sensor\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232002.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe URSA Cine camera features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K. The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green, and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate image quality and flexibility. You can now capture more detail with a wider dynamic range than ever before. Plus, in-sensor scaling means you can record at all resolutions without cropping.\u003c\/p\u003e\u003cp\u003eHigh-End Body Design\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2231998.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe URSA Cine is designed to meet the demands of any high-end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft-touch backlit buttons make controls easy to see in all conditions. There's a 5\" fold-out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with a 5\" LCD and full camera controls. Standard LEMO and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G-SDI out, 10G Ethernet, USB-C, XLR audio, and more.\u003c\/p\u003e\u003cp\u003eNumerous Formats\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2231999.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe large-format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses, and delivery formats. The full-frame sensor area gives you a stunning 3:2 open gate image, which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf, and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality.\u003c\/p\u003e\u003cp\u003eInterchangeable Lens Mounts\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2231994.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDifferent projects require different lenses, which is why URSA Cine features an interchangeable lens mount. This model includes a locking EF mount, and you can quickly switch between PL, LPL, and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF, or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next. Plus, each mount has contact pins to read lens metadata for monitoring and for use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work.\u003c\/p\u003e\u003cp\u003eMonitoring and Camera Control\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2231997.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe URSA Cine lets crews work faster on set with multiple monitoring options. The fold-out monitor has a large 5\" HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera. On the right side of the camera, there's a dedicated assist station with a second 5\" HDR touchscreen that allows the crew to work around the camera without needing external monitors. Plus, with a 1500 cd\/m² display and removable sunshade, it's always visible, even in bright sunlight. On-screen overlays show status and record parameters, histogram, frame guides, and more. There's even a dedicated focus puller's mode to help you get perfect focus.\u003c\/p\u003e\u003cp\u003eIndustry-Standard Connections\u003c\/p\u003e\u003cp\u003eThe wide range of industry-standard connections on URSA Cine makes it perfect for high-end cinema production. The 7-pin LEMO and 3-pin Fischer connectors at the front provide record start\/stop and 24V power and so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin LEMO connection, plus there's an additional 2-pin LEMO 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling. There are also two independent 12G-SDI outputs for monitoring on two different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing.\u003c\/p\u003e\u003cp\u003eBlackmagic RAW Capture\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232000.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bit rate encoding options are designed to give you the best possible images with predictable and consistent file sizes. The URSA Cine records to the optional Blackmagic Media Module 8TB, allowing you to capture over four hours of Blackmagic RAW in 12K or a massive 20 hours in 4K.\u003c\/p\u003e\u003cp\u003eGeneration 5 Color Science\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232018.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Cine sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car taillights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work.\u003c\/p\u003e\u003cp\u003eBuilt-In Optical Low-Pass Filter\u003c\/p\u003e\u003cp\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultrasharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low-pass filter minimizes that interference, which results in a reduction of moire and aliasing. The URSA Cine includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response that, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.\u003c\/p\u003e\u003cp\u003eBuilt-In Color-Balanced ND Filters\u003c\/p\u003e\u003cp\u003eThe URSA Cine features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2-, 4- and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction, or fraction on the LCD.\u003c\/p\u003e\u003cp\u003eHigh-Resolution, High Frame Rate Capture\u003c\/p\u003e\u003cp\u003eThe URSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K, and even insanely detailed 12K. You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen. For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408, and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8192 x 3408. The camera has flexible frame rate and resolution options, and it captures incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100MP per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time.\u003c\/p\u003e\u003cp\u003eHigh-Performance Internal Recording Media\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232019.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eURSA Cine is the first digital film camera with ultrafast high capability Cloud Store technology built in. Blackmagic Media Module is fast and rugged and includes a massive 8TB of storage. It's like a Cloud Store Mini built into your camera. The high-speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high-speed 10G Ethernet, or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or Blackmagic Cloud for instant global collaboration.\u003c\/p\u003e\u003cp\u003eFast Media Offloading\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2231996.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe optional Blackmagic Media Dock accelerates your post-production workflow by making it faster and simpler to start editing and color correction. Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time. The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly, and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real time on a TV or monitor.\u003c\/p\u003e\u003cp\u003eDeliver Clips Directly into DaVinci Resolve Bins\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232004.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eURSA Cine supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds, so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have multiple cameras, then the new multisource feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows.\u003c\/p\u003e\u003cp\u003eConnect to Mobile Data, High-Speed Wi-Fi, or Ethernet\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232003.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port, and URSA Cine will configure for mobile data. Plus, it works with the latest high-speed 5G phones, as well as 4G. You can also connect via high-speed Wi-Fi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post-production to monitor shoots from anywhere in the world. That's a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003c\/p\u003e\u003cp\u003eLive Stream Directly to Your Client\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232001.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eNow you can live stream from film sets. The URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening.\u003c\/p\u003e\u003cp\u003eHigh-Resolution Viewfinder\u003c\/p\u003e\u003cp\u003eThe URSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get an integrated high-quality 1920 x 1080 color OLED display with a built-in proximity sensor and a 4-element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information, such as frame guides. The URSA Cine EVF is easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with two different types of eyecups.\u003c\/p\u003e\u003cp\u003eIndustry-Standard Batteries and Power\u003c\/p\u003e\u003cp\u003eThe URSA Cine includes an 8-pin LEMO power connector at the back of the camera that works with 24V and 12V power supplies. That means it's easy to use the camera with existing power supplies, batteries, and accessories. The front of the camera includes additional LEMO and Fischer connectors for powering lens motors and other accessories. The URSA Cine comes with a massive 250W power supply and B-mount battery plate, so you can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. You can also add the optional Blackmagic URSA Cine V-lock Battery Plate or Blackmagic URSA Cine Gold Battery Plate to use legacy V-mount and Gold mount batteries.\u003c\/p\u003e\u003cp\u003ePowered by Blackmagic OS\u003c\/p\u003e\u003cp\u003eWith advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e\u003cp\u003eDigital Slate for Fast Metadata Entry\u003c\/p\u003e\u003cp\u003eThe URSA Cine features a digital slate, so you can quickly add metadata to any shot. Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording, the slate can automatically increment the take numbers, so you don't have to enter them manually for each shot. You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated, or it can be entered manually, along with production-specific information, technical information, and more. All of the metadata is saved with the files for use in post-production when editing and color correcting with software such as DaVinci Resolve.\u003c\/p\u003e\u003cp\u003eWireless Bluetooth Camera Control\u003c\/p\u003e\u003cp\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30' away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There's even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time.\u003c\/p\u003e\u003cp\u003eLocalized in 13 Popular Languages\u003c\/p\u003e\u003cp\u003eThe URSA Cine is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on-screen overlays, setup menus, and monitoring information will be displayed in the selected language.\u003c\/p\u003e\u003cp\u003eIncludes DaVinci Resolve Studio\u003c\/p\u003e\u003cp\u003eThe URSA Cine includes a full version of DaVinci Resolve Studio. You get the world's most advanced solution that combines professional editing, color correction, audio post, and visual effects, all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you're working on major Hollywood feature films, episodic television, music videos, commercials, or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio, and delivery.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52777851683097,"sku":"BLA-CINEURSAA12KLFBODY","price":67048.68,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/53886563fc68106569bfd268d62d6abd_855218c2-e4f9-41bd-b612-fe86036a8219.png?v=1783341935"},{"product_id":"blackmagic-design-cinema-camera-6k-1","title":"Blackmagic Design Cinema Camera 6K","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e brings next-gen digital film capture to the masses with their new \u003cstrong\u003eCinema Camera 6K\u003c\/strong\u003e. Based around a full-frame 6K sensor and an active Leica L lens mount, this high-end camera features rich colors, accurate skin tones, a wide 13-stop dynamic range, and a built-in OLPF filter (optical low pass) that is tailored specifically to the massive 24 x 35mm sensor. ENG users and other on-the-go shooters will appreciate the ability to record both deep bit-depth Blackmagic Raw and H.264 proxies simultaneously to Blackmagic Cloud. The Cinema Camera 6K takes a step up from the Pocket Cinema Camera line but handily retains the ability to use all the existing PCC accessories.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFull-Frame 6K Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA massive full-frame sensor with a native resolution of 6048 x 4032 enables you to shoot with a shallow depth of field and to use anamorphic lenses uncropped for a truly cinematic look.\u003c\/li\u003e   \u003cli\u003eThe sensor's 13 stops of dynamic range with dual native 400 and 3200 ISOs extending up to 25,600 provide stunning, low-noise images in all lighting conditions, including bright sunlight and very low light levels.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eCinematic Full-Frame Flexibility\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K's full-frame sensor provides the ability to work in a variety of film formats and aspect ratios without sacrificing quality.\u003c\/li\u003e   \u003cli\u003eUsing the full area of the sensor gives you a unique open-gate 3:2 image, which also enables you to reframe your shots in post-production.\u003c\/li\u003e   \u003cli\u003eThe large sensor enables true 6:5 anamorphic without cropping, producing detailed, cinematic widescreen images in higher resolutions than previously possible.\u003c\/li\u003e   \u003cli\u003eUse the classic Super35-sized window on the sensor to create an instant close-up of your shot that fits seamlessly with open gate footage.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Leica L Mount\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Leica L lens mount accommodates the Blackmagic Cinema Camera 6K's full-frame sensor while ensuring compatibility with both new and vintage lenses. With a large diameter of 51.6mm, the L mount is compatible with the latest full-frame lenses from manufacturers like Leica, Panasonic, and Sigma.\u003c\/li\u003e   \u003cli\u003eIts very short flange distance of only 20mm means you can easily add Canon EF, ARRI PL, and other adapters for a variety of lens mounts without impacting image quality.\u003c\/li\u003e   \u003cli\u003eThe separately available EF adapter enables lens control and data transfer for compatible lenses.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K captures all standard resolutions and frame rates from HD up to DCI 4K and 6K, with still photos available up to 24.6MP.\u003c\/li\u003e   \u003cli\u003eVideo rates include 6048 x 4032 3:2 open gate at 36 fps, 6048 x 2520 2.4:1 at 60 fps, and 4096 x 2160 DCI 4K at 60 fps.\u003c\/li\u003e   \u003cli\u003eHigher frame rates are captured with a windowed sensor at rates up to 2112 x 1184 Super16 at 100 fps.\u003c\/li\u003e   \u003cli\u003eTrue anamorphic 6:5 at much higher resolutions than other cameras is available using anamorphic lenses in 4838 x 4032 4.8K at 24 fps. \u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003ePost-Friendly File Formats\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eHigh-resolution Blackmagic Raw recording enables you to control detail, exposure, and color during post-production.\u003c\/li\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K can also record HD H.264 proxies in real time for easy media sharing around the globe in just minutes.\u003c\/li\u003e   \u003cli\u003eBlackmagic Raw is highly optimized, multi-threaded, and able to work across multiple CPU cores. It features GPU acceleration to work with Apple Metal, CUDA, and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization, and tracking in HD, 4K, or 6K. Media files work on all operating systems, plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003e5\" LCD Touchscreen\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe bright, HDR 5\" touchscreen LCD can be used for framing, focusing, and applying 3D LUTs for monitoring.\u003c\/li\u003e   \u003cli\u003eOnscreen overlays show status, recording parameters, histograms, peaking, frame guides, levels, and more.\u003c\/li\u003e   \u003cli\u003eThe tilt function makes it easy to view and adjust your settings, especially when shooting in high- or low-mode.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eEFexpress or External Disk Recording | DaVinci Resolve Included\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K records internally using a CFexpress card or externally via its USB-C port to an SSD or flash media disk.\u003c\/li\u003e   \u003cli\u003eThe CFexpess cards are both more durable and faster than older media forms and can record up to 12-bit, full-resolution Blackmagic Raw files.\u003c\/li\u003e   \u003cli\u003eA 256GB CFexpress card can capture over an hour of UHD 6K images.\u003c\/li\u003e   \u003cli\u003eThe high speed of the CFexpress cards enables you to edit from them directly using the included DaVinci Resolve software.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eGen 5 Color Science\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFeaturing the same generation 5 color science as the high-end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers even greater image quality with stunning, accurate skin tones and faithful color reproduction in every shot.\u003c\/li\u003e   \u003cli\u003eA new dynamic 12-bit gamma curve is designed to capture more color data in the highlights and shadows for better-looking images.\u003c\/li\u003e   \u003cli\u003eThe Gen 5 color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata that can used in post-production. This means you get images that have a natural, film-like response to color adjustments in post using DaVinci Resolve.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eProfessional Connectors\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K may be compact but it features a range of pro interfaces.\u003c\/li\u003e   \u003cli\u003eConnectors include a full-size HDMI video output, a USB-C expansion, and 12VDC ports.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eBuilt-In Mics and Pro Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eProfessional audio support includes two mini-XLR inputs with phantom +48V power for recording two separate audio tracks.\u003c\/li\u003e   \u003cli\u003eAudio features include four built-in, shock- and wind-resistant microphones with an extremely low noise floor.\u003c\/li\u003e   \u003cli\u003eThis camera also incorporates a 3.5mm stereo input, a playback speaker, and a 3.5mm headphone output.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eBluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eGet full control of your BMCC 6K G2 via Bluetooth from up to 30' away.\u003c\/li\u003e   \u003cli\u003eUse the Blackmagic Camera Control app for your iPad.\u003c\/li\u003e   \u003cli\u003eUse third-party apps such as Bluetooth+ or Trigger on your iOS and Android devices.\u003c\/li\u003e   \u003cli\u003eIdeal for boom, jib arm, or other hard-to-reach setups or locations.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eCarbon Fiber Composite Build\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K has a mini form made from a lightweight carbon fiber polycarbonate composite.\u003c\/li\u003e   \u003cli\u003eIt features a multifunction handgrip with complete controls for recording, ISO, WB, and shutter angle settings right at your fingertips.\u003c\/li\u003e   \u003cli\u003eZoom, high-speed frame rate, setup menus, and playback are available using the conveniently located back panel controls.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eDaVinci Resolve Studio License Included\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThis camera includes a full version of DaVinci Resolve Studio software.\u003c\/li\u003e   \u003cli\u003eFeatures include a new cut page with intelligent tools and features for quickly finding the footage you want, editing it, and outputting it fast.\u003c\/li\u003e   \u003cli\u003eUse DaVinci Resolve for editing, color correcting, audio post-production, and visual effects.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eHorizontal or Vertical Capture\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eEasily create cinematic vertical content for TikTok, YouTube Shorts, and other social media platforms.\u003c\/li\u003e   \u003cli\u003eThe onscreen HUD (heads up) display rotates so critical information like frame rate, shutter angle, and frame guides remains easy to view.\u003c\/li\u003e   \u003cli\u003eClips are automatically tagged as vertical, so they appear correctly in your timeline and are easy to upload to your channel with direct exporting to TikTok and YouTube.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003ePower Options\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003ePower the Blackmagic Cinema Camera 6K using Sony L-series type NP-F570 batteries, the included AC adapter with international plugs, or the separately available Battery Pro Grip.\u003c\/li\u003e   \u003cli\u003eBattery trickle-charging is available via the USB-C expansion port.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52777851748633,"sku":"BLA-CINECAM60KLFL","price":28544.38,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1013\/6210\/6649\/files\/5bddc8d7aa95a89b32f0f299e40eb275_b04f1f03-cd0f-44ec-97e3-8a38ad2db3b2.png?v=1783341936"}],"url":"https:\/\/gamemenlyn.com\/collections\/digital-cine-cameras.oembed","provider":"Game Online Shopping | We Beat Any Price","version":"1.0","type":"link"}